Newsletter Project
Advanced design in columns with a “front page” look
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Set Up Your Page |
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In this project, you will learn how to design a simple newsletter, a
single page document that resembles a newspaper. You will learn about
page design using columns much like your pamphlet (except columns won't
become separate sections that fold together), writing headlines, scanning
photos and cropping them in Photoshop, and controlling text on a page
using the Paragraph Styles panel. Your newsletter will also be designed in the
vertical "portrait" mode, just like your letterheads. Type ⌘-N
for new document, then change only the Columns setting in Document Setup
to four columns. |
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Raise the Flag |
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Now that we have learned some typographical tricks and saved them in your library panel, it is time to put them to good use in the first part of our newsletter. The name of our newsletter is important because it establishes our identity to the reader, almost like your signed signature expresses who you are. The top of the front page of a newspaper is the one thing about it that stays the same over many years, and this is the one place where a newspaper can actually be creative with typography. This is the one place, for example, where you will be free to use an art or design font, as the rest of the newsletter will be designed for readability. Think of a
subject for your newsletter. It can be about your family news, a musical artist's or sports team's fan club, a gossip tabloid, or a real newspaper. Give it a catchy name, then go into your library and grab some ideas for attention-getting typography. Pull a ruler from the top of your window until its Y-coordinate equals 13p0, and keep your flag design from going outside this space. |
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Making Headlines |
| Next to your flag, your opening headline will contain the largest type on your newsletter. It is here that we must give up being creative with our text, instead conveying a short message that can be quickly read, as opposed to saying something expressive in a fancy font. You will have to use a bold serif or sans serif font here. There are also some simple rules to remember when writing headlines:
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Fill 'er Up |
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| We will need some text that looks like an article to go under the headline, usually called body text or body copy. As in the pamphlet project, we'll use some placeholder text. Draw two columns of text frames with the text tool, link them together by clicking in the link box in the lower right of the first column and link to the second column by clicking on it. Then go to Type>Fill With Placeholder Text or type option-shift-⌘-T and both columns will fill with nonsense text called Lorem Ipsum. We'll eventually rearrange the columns for the rest of the design, and add some original body text of our own later. |
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Between the Style Sheets |
| The style panel is a tool that contains style sheets, which help to keep the look of a publication consistent from page to page. Every form of electronic page design uses style sheets, from newspapers and magazines to web pages. You will activate your style palette by importing a style sheet from an existing file, then modifying it for your newsletter. First, go to the arrow menu on the Paragraph Styles panel and click on Load Paragraph Styles... Navigate to the server and select the “Styles” file. Your style palette now contains a style sheet with four items: Body Text, Caption, and Headlines 1 and 2. | |
Setting Your Style |
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| Next you will need to modify the settings in each item to reflect your font selections. Double click on each style heading to open its options dialog box. Select Basic Character Formats. For Body Text style, you need to change the font from Times to another serif font. Some choices include Baskerville or Basset, Express Deco, Garamond, Memorium and Palatino. Next go to Indents and Spacing and change the alignment to Left Justify. For Caption style, you must also Left Justify, but use a sans serif font. Choices here include Arial, Futura or Futurist, Optane or Optima, Trebuchet or Verdana. Failing to change your fonts in the style palette will cost you ten points. If you wish you may also change the two Headline fonts to similar choices for serif and sans serif, but this is not required. Once you are finished, select each element of text, either by highlighting with the text tool, or the text block with the arrow tool, and change it to the appropriate style by clicking once on it. In some cases, you may need to override InDesign's tendency to foolproof style changes by holding down option-shift as you click on each style name in the style palette. | |
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Picture This |
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Now it's time to insert a frame to hold the large photograph you will put under the main headline. Click on the Rectangular Frame tool |
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| Picking Crops | |
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photo you select for your large picture must contain at least one person.
It should preferably be taken by you but can be any web image. Instead
of resizing it on the page as we have done in the past, you will use
Photoshop to crop the image to the dimensions of the frame. To get those,
you select the frame, open the Scripts palette (Window>Automation>Scripts
or option-⌘-F11) and double-click the Width and Height script
near the bottom. Write down the numbers the script returns and open
the image in Photoshop (drag and drop onto the dock's Photoshop icon
if necessary). Select the crop tool |
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Show ID |
In one of the columns containing the placeholder text you inserted earlier, draw a slightly vertical graphic frame about halfway across one column. While it's still selected, bring up the Text Wrap panel (Window>Text Wrap or option-⌘-W) and select the second option, then change the standoff distances on the side facing the text from zero to 1p0. Go to File>Place next and choose your vignette, and position and scale it in your frame with the Direct Selection (white arrow) tool just as you did for your pamphlet's "stamp." Finally, go to a blank part of your page and draw a text frame small enough to fit under your picture, click Caption in the Paragraph Styles palette, and type only your last name. Click the black arrow and move your name directly under your picture. If your name suddenly disappears after moving it, go to Object>Text Frame Options and check the Ignore Text Wrap box at the bottom. |
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| Caption Crunch | |
It's time to write a caption for the large picture. Most captions can be written in two sentences: the first identifies people and describes the action pictured in the photo, the second gives more information, or elaborates, about the event or people than the photo alone can supply. Here is a simple example: Coach Sam Ochoa yells encouragement to his team. The Catfish defeated the Mudhens 71-32. If you
took Photojournalism in the fall semester you should have a file in
your folder with the captions you wrote for an assignment. You can
copy and paste one (use the Paste without Formatting command in the Edit menu) into your newsletter's caption, rewriting and restyling it as
necessary. To learn or review the style rules for writing captions,
and well as use a caption writing application, go
here. |
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3 Heads Are Better Than One |
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will still need to write two more headlines into your newsletter, below
at least the center of your main photograph. They should also be only
one or two columns wide, so they don't compete for attention with the
top headline. If you need a insert a headline in the middle of a column
of body copy, simply pull up the the bottom of the column with the black
arrow tool |
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| Size Matters | |
Remember the headline writing rule mentioned above about filling as much white space as possible with your headline. You don't want a headline that falls a whole column short of completely filling its text frame, or a headline that makes the last word jump to the next line and disappear outside the frame. You therefore need to have control over the exact size of the headline's point size. The type size menus don't allow you to do that, but there are two shortcuts. Highlight the entire headline, then go to the character panel (⌘-T or Type>Character) and highlight the text of the point size setting with the mouse. Using the up or down arrows allows you to change size one point at a time. With the headline highlighted, you can also use ⌘-shift and the left-right arrow brackets (< and >) on the comma and period keys to change the size two points at a time. Fit the headline until as little white space as possible is visible to the right of the headline. You should also experiment with rewriting the headline to make it fit and to shorten it as well, as shown at left. |
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What's
Your Story? |
| For part of your project grade, you will write a short, six paragraph story into your newsletter, using some of the columns set aside for body copy. It will include three paragraphs written by you on the subject of your choice, alternating with three quotes by you and two of your classmates. To use an application for organizing and writing your story, go here. Start the story with a lead-in paragraph of 2-3 sentences introducing the subject. When you have completed all six paragraphs, click the Write My Story! button, then highlight and copy the story on the returned page. Go back to your newsletter, click inside an empty text frame, and use the Paste in Place command in the Edit menu. This helps you to be sure to style the story as Body Text using the Paragraph Styles panel (Type>Paragraph Styles) so it will look identical to the placeholder text filling the other columns. | |
| Baseline Move | |
A good page layout will pay attention to detail. This includes setting all columns of body copy so they sit on the same baseline, making it look clean, attractive and unified. To do this, zoom in on your columns of body copy (⌘-2
to magnify to 200%) and select one column of text with the Select
Tool |
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Check
Please |
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Let's check off everything you'll need for a completed project:
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| That's News to Me | |
Click
on the graphic of a completed newsletter to the left and compare with
yours. You can also export your newsletter so you can share it with
anyone. Save your work, click on the black arrow |
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